Here's an image of a tilled field near Picabo, Idaho taken a couple of days ago. I converted the image from RAW to black and white in Photoshop CS6. I am including in this post a low-resolution image of the RAW file straight from the camera. Without making many changes/edits in Photoshop, you can see the latitude in shooting RAW--getting details out of the very bright/overexposed areas--and the enormous difference between the blah RAW image and the edited black and white image.

I also used the tilt function of the Nikon 24 pc-e lens to get the look of unlimited depth of field.​ I used--it's becoming a kinda fun term to use--the Scheimpflug Principle. The link takes you to The Luminous Landscape page for a good explanation...

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Here's the low-resolution file of the RAW image straight from the camera:​